I am so tired of hearing about piracy, and evil people not buying music anymore, when the very people crying about it, are the ones that have slept on it for ten years.
So what should they do?
In short: They should begin rewarding those that DO buy the music instead of focusing on punishing those that DON’T buy the music.
Allow me to offer a couple of examples that I am convinced will help.
Forget about DRM and copy protection.
First off – these things do not work anyways. By now it should be evident that all forms of copy protection fails.
Secondly it does restrict the usage of the music for the users that actually went and bought it. So you in essence end up punishing the ones that bought your product. And that is a bad strategy.
I have personally experienced purchasing an album legally, and ending up having to download an illegal copy of it in order to listen to it – because DRM restrictions made it impossible to listen to my legal version. That is a bad user experience and do not offer me a reason to buy an album. On the contrary. When getting an album is better, more convenient and offers me more options if I get it illegally, why should i go through all the hassle just to be allowed to pay for it?
Forget old ways of distribution and embrace the new ones
Since Napster made the sharing of music files a common thing to do, the recording industry have been trying to stop file sharing. But after ten years of hunting pirates, coming up with copy protection and new laws and restrictions on use of creative work, file sharing have never been bigger than now.
It is no longer just music files that are being shared. People will now without hesitation download DVD-rips and games weighing in at four, five – even 7 gigabytes. Unthinkable in 1998 but here we are. Almost everything is available.
And this is in my belief the number one reason why the recording industry (and film industry as well) have failed. They do not understand what is going on. I am convinced that file sharing is so popular because it is convenient. It is available. It is easy.
Yes I know that many people will argue that it is because it is free and you can steal movies without paying. I will admit that “free” always make a good selling point, but I honestly do not think that is the main reason why people download.
A fact supporting this is, that even if music is given away like Radiohead did, the amount of downloads through torrents was the same as for an ordinary album. Meaning that convenience and not price is what decide where to get stuff.
When you want a song and you look at the options:
- Go to a record store and get a piece of plastic (a cd) that you only use once when you import it into your playlist.
- Go to an online music store and buy a file that is DRM protected so you can’t use it where you want to.
- Download it online in 5 minutes and have a file that works on all platforms and in all music players.
Then I don’t find it particularly odd that people often choose the latter.
And this is the problem down to the bone. The people selling music still see all online music as a flawed, bad for business competition to their cd sales. But a cd is not the holy grail. A cd is merely a media for transporting music. Just like a cassette tape is. And just like we moved on from cassette tapes we have now moved on to the next media for distribution of music. The internet.
Carrot instead of whip
Of course people making music should be paid for their work. No discussion.
So instead of trying to get people to buy CD’s that they don’t want, the industry should start looking at ways of making it worth you money to actually buy songs online.
Rewarding people that buy your product is a much better strategy than trying to punish all those that don’t buy it.
Imagine if you bought an album on iTunes for example. Pay 8$ for it and get the whole album with no DRM or restrictions. But what you also get is access to an area where you (because you bought the album and therefore we like you and want to pamper you) can get extra stuff related to the album you paid for.
There is virtually no limit to what could be put in that area but just to give a few examples:
Added value stuff:
- View all music videos from that album (or artist).
- Some behind the scenes footage from a concert.
- An exclusive interview with the artist that only people that bought the album can see.
- Artist related shows (like MTV cribs, the making of the video, the life/career of the artist)
- Membership of the fan club and access to fan gear (at a reduced price perhaps)
- Discount on earlier albums from this artist.
VIP type stuff:
- Access to artist blog, vlog or diary
- Buy tickets to artist concerts before they are on sale to the public
- See new music videos before everyone else
- Purchase the next album from this artist before it is released to the public
- Get free remixes, instrumentals and other special versions of songs from the album.
Community type stuff:
- Chat or forum where you can talk with other people that also bought the album
- Access to artist related competitions (who knows the most about this artist)
- Get ringtones, wallpapers, screensavers, buddy icons
As i said before the possibilites are endless, but if I got access to just half of the items listed above, then I would feel that the 8$ i spent on an album was really a good investment. I would return on a regular basis to check new developments on “my” artists, and I wouldn’t want to give my password to people on a torrent, so everyone interested in these services would buy the album.
That is a thing that DRM will never accomplish





March 2nd, 2008 at 6:28 am
Thanks for commenting on my site, Clint.
This article is great, well written.
You say for value added stuff “Discount on earlier albums from this artist. ” I don’t believe that would help as you are trying to get people to pay for music instead of P2P, a discount doesn’t matter if you get the music free to start with…but exclusive items may.
i still prefer CDs to be honest – the CD can be played anywhere, is an automatic backup for my iPod/mp3 music, I can rip it to any format and bit-rate I like and re-rip in the future if some new format pops up (mp3,aac,ogg,flac… future???)- plus most importantly for me, is cheaper that buying online music.
I find online music with no physical extras like covers etc and at a price that is equal or (most times) more than a CD is crazy, with or without DRM (thats a whole level of craziness by itself. Our family has multiple computers, multiple brands of ‘mp3′ players and multiple sound systems – DRM just doesn’t work for us.
cheers from Australia.
March 2nd, 2008 at 10:33 am
Thank you – glad you liked it!
I do agree that discount on earlier releases is not a selling point in itself. It is more like a “reward” for buying an album.
If you “discover” an artist that already released a number of albums you might be interested in buying the old ones.
More often than not an album older than a year can be found at a cheaper price if you buy it on a cd, so this is just meant as a way of mirroring that effect somehow.
In regards to preferring cds. I know that a lot of people still do, I have a major cd collection myself, but there is a clear tendency that more and more people only use their music on computers and mp3 players and actually see the cd itself as an inconvenient way of getting it. And the industry need to wake up and smell the coffee.
March 24th, 2008 at 4:44 pm
It’s an absolute disgrace that I can’t buy music from the iTunes store and play the files on my Sony-Ericsson Walkman phone – or any other non-Apple product for that matter. I don’t mind spending the few bucs on good music, but the music has to be playable where-ever and when-ever I want to play it.
I just bought a few tracks, and I can’t convert them to mp3’s because of the DRM – now I have to go download them illegally as well. Thank you record companies for making me a criminal.
At least the music industry is slowly getting there (after 10 years), but the movie business has a lot to learn. The last edition of Wired had a great article on this: http://www.wired.com/entertainment/hollywood/magazine/16-03/st_essay
March 28th, 2008 at 11:22 am
well, besides DRM there is another thing holding me back from buying downloads. there is no artwork, production-credits etc, how hard is it to put that stuff in a pdf-file? second and most important: sound-quality. i know im probably a minority in this regard, but i like to play my music on a quality stereo. and the formats you can get legally is just not good enough for that. give me a losless wav file, and i can burn it on a disc and end up with something in true cd-quality. if i want it on my pc or mp3-player i can rip to whatever format i like. most people probably wont care about the quality, but how hard is it to give the people that do the option? i mean the 5-6-70000 mb are nothing these days anyway…
March 28th, 2008 at 11:24 am
haha…a few to many zeros on there, but you get the point.
May 18th, 2008 at 10:40 pm
[...] It seems like Mr. Anders Bylund have the same take on piracy that I expressed in one of my earlier posts “Why record companies should stop whining” [...]
May 26th, 2009 at 11:52 pm
[...] on peer2peer. They just have to forget about making money on distributing CDs (I wrote about that here some time [...]